hung out to dry between the broken ribs of the venetian blinds, stood massive stone palaces with lattice windows and protruding cornices. Once Jenny had to take him by the arm—a scarlet automobile came hooting out of a gate in baroque style, turned with difficulty, and came speeding up the narrow street, where the gutters were full of cabbage leaves and other refuse.
He enjoyed it all—it was so strange and southern. Year after year his fantastic dreams had been destroyed by everyday petty reality, till at last he had tried to sneer at himself and correct his fancies in self-defence. And so now he tried to convince himself that in these romantic quarters lived the same kind of people as in every other big city—shopgirls and factory workers, typographers and telegraph operators, people who worked in offices and at machines, the same as in every part of the world. But it gave him pleasure to think that the houses and the streets, which were the image of his dreams, were obviously real as well.
After walking through small, damp and smelly streets they came into an open space in the sunlight. The ground was raked up at random; heaps of offal and rubbish lay between mounds of gravel; dilapidated old houses, some of them partly pulled down, with rooms showing, stood between classical ruins.
Passing some detached houses, which looked as if they had been forgotten in the general destruction, they reached the piazza by the Vesta temple. Behind the big, new steam-mill and the lovely little church with the pillared portico and the slender tower, the Aventino rose distinct against the sunny sky, with the monasteries on the hill, and dust-grey, nameless ruins among the gardens on the slope.
The thing that always gave him a shock—in Germany and in Florence—was that the ruins he had read about and imagined standing in a romantic frame of green leaves with flowers in the crevices, as you see them in old etchings or on the
