he would worry me? Not much. And I might have children. Some day I will come into money, and he is so poor. We could live abroad and we could both work. There is something refined about all his work, don't you think? That relief of the boys playing, for instance, and the cast for the Almquist monument. Not very original, perhaps, in composition, but so beautiful, so noble and restful, and the figures so perfectly plastic."
Jenny smiled a little and stroked the hair from Francesca's forehead; it was wet with tears.
"I wish I could work like that—always—but I have those eternal pains in my heart and my head. My eyes hurt me too, and I am dead tired always."
"You know what your doctor says—only nerves—every bit of it. If you only would be sensible!"
"I know. That is what they all say, but I am afraid. You say that I have no instincts—not in the way you mean, but I have them all right in another way. I have been a devil all this week—I know it perfectly well—but I have been waiting all the time for something awful I knew was going to happen. You see, I was right."
Jenny kissed her again.
"I was down at S. Agostino tonight. You know that image of the Madonna that works miracles; I knelt before it and prayed to the Virgin. I think I should be happier if I turned Catholic. A woman like the Virgin Mary would understand. I ought really never to marry. I ought to go into a convent—Siena, for instance. I might paint copies in the gallery and earn some money for the convent. When I copied that angel for Melozzo da Forli in Florence there was a nun painting every day. It wasn't so bad." She laughed. "I mean, it was awful. I hated it. But they all said my copies were so good—and so they were. I believe I should be happy in that way. Oh, Jenny, if I only felt well and were at peace in my mind,
