Twice he found Miss Winge alone, and once Francesca. They were always in Jenny's room, which was cosy and warm, although the windows stood wide open until the last rays of light had faded. The stove glowed and sparkled, and the kettle on the spirit-lamp was singing. He knew every article in the room now—the drawings and photographs on the walls, the flower vases, the blue tea-set, the bookshelf by the bed, and the easel with Francesca's portrait. The room was always a little untidy; the table by the window was littered with tubes and paint-boxes, sketch-books and sheets of drawing-paper; Jenny kicked brushes and painting rags under it as she was laying the tea. There was often a litter of needlework or half-darned stockings on the sofa to be put away before sitting down to butter the biscuits. A spirit-lamp and toilet trifles were frequently left lying about and had to be removed.
While these preparations were going on, Gram would sit by the stove and talk to Francesca, but sometimes Cesca would take it into her head to be domesticated and let Jenny be lazy. Jenny begged to be spared, but Cesca hustled about like a whirlwind, putting all the stray articles where Jenny could not find them afterwards, and ended up by putting drawing-pins into pictures that would not hang straight, or curled themselves on the wall, using her shoe as a hammer.
Gram could not understand Miss Jahrman at all. She was always nice and friendly to him, but never as intimate and confidential as on the day they had walked to Ponte Molle. Sometimes she was strangely absent; she seemed not to grasp what he said, although she answered kindly enough. Once or twice he thought he bored her. If he asked how she was, she hardly answered, and when he mentioned her picture with the cypresses she said sweetly: "You must not be offended, Mr. Gram, but I don't care to speak of my work before it is finished. Not now anyway."
He noticed that Ahlin did not like him, and this egged him
