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90
VAL D'ARNO.

red fleur-de-lys, has another meaning. It is red, not as ecclesiastical, but as free. Not of Guelph against Ghibelline, but of Labourer against Knight. No more his serf, but his minister.

His duty no more 'servitium,' but 'ministerium,' 'mestier.' We learn the power of word after word, as of sign after sign, as we follow the traces of this nascent art. I have sketched for you this lily from the base of the tower of Giotto. You may judge by the subjects of the sculpture beside it that it was built just in this fit of commercial triumph; for all the outer bas-reliefs are of trades.

111. Draw that red lily then, and fix it in your minds as the sign of the great change in the temper of Florence, and in her laws, in mid-thirteenth century; and remember also, when you go to Florence and see that mighty tower of the Palazzo Vecchio (noble still, in spite of the calamitous and accursed restorations which have smoothed its rugged outline, and effaced with modern vulgarisms its lovely sculpture)—terminating the shadowy perspectives of the Uffizii, or dominant over the city seen from Fesole or Bellosguardo,—that, as the tower of Giotto is the notablest monument in