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VII.—MARBLE RAMPANT.
147

contains. A little while ago, without displeasure, you permitted me to delay you by the account of a dispute on a matter of taste between my father and me, in which he was quietly and unavailingly right. It seems to me scarcely a day since, with boyish conceit, I resisted his wise entreaties that I would re-word this clause, and especially take out of it the description of a sea wave as "laying a great white table-cloth of foam" all the way to the shore. Now, after an interval of twenty years, I refer you to the passage, repentant and humble as far as regards its style, which people sometimes praised, but with absolute reassertion of the truth and value of its contents, which people always denied. As natural form is varied, so must beautiful ornament be varied. You are not an artist by reproving nature into deathful sameness, but by animating your copy of her into vital variation. But I thought at that time that only Goths were rightly changeful. I never thought Greeks were. Their reserved variation escaped me, or I thought it accidental. Here, however, is a coin of the finest Greek workmanship, which shows you their mind in this matter unmistakably. Here are the waves of the Adriatic