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III.—SHIELD AND APRON.
61

in personal character, and relation to the body politic.

Their personal character was founded on the accurate knowledge of their business in all respects; the ease and pleasure of unaffected invention; and the true sense of power to do everything better than it had ever been yet done, coupled with general contentment in life, and in its vigour and skill.

It is impossible to overrate the difference between such a condition of mind, and that of the modern artist, who either does not know his business at all, or knows it only to recognize his own inferiority to every former workman of distinction.

79. Again: the political relation of these artificers to the State was that of a caste entirely separate from the noblesse;[1] paid for their daily work what was just, and competing with each other to supply the best article they could for the money. And it is, again, impossible to overrate the difference between such a social condition, and that of the artists of to-day,

  1. The giving of knighthood to Jacopo della Quercia for his lifelong service to Siena, was not the elevation of a dextrous workman, but grace to a faithful citizen.