vellers from Lombardy mentioned the name of Castruccio, her fair cheek was suffused by the eloquent blood.
Euthanasia had long been an orphan; her father had died, and by his death was cut the dearest tie she had to earth. While he lived, she had confined herself almost entirely to his room, and serving as eyes to his blinded sense, she was as faithful to his wants as his own orbs had been before their light was quenched. After his death she mingled more with the distinguished youth of Florence, and joined in that society, which, if we may judge from the indications that Dante gives in his prose works, and from the tender and exquisite poetry of Petrarch, was as refined, delicate and cultivated, as the best society amidst the boasted politeness of the present day. Yet among the youth of Florence Euthanasia was as a lily, that overlooks the less illustrious yet beautiful flowers of a garden. Her beauty, her accomplishments, and the gift of flowing yet mild eloquence that she possessed, the glowing brilliancy of her ardent yet tempered imagination, made her the leader of the little band to which
