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174
THE FALSE FACES

Lanyard to a spacious apartment, a library uncommonly well furnished, rather more than comfortably yet without a trace of ostentation in its complete luxury, a warm room, a room intimately lived in, a room, in short, characteristically British in atmosphere.

Waist-high bookcases lined the walls, broken on the right by a cheerful fireplace with a grate of glowing cannel coal, in front of it a great club lounge upholstered, like all the chairs, in well-used leather. Opposite the chimney-piece, a handsome thing in carved oak, a door was draped with a curtain that swung with it. In the back of the room two long and wide French windows stood open to the night, beyond them that garden whose wall had attracted Lanyard's attention. There were a number of paintings, portraits for the most part, heavily framed, with overhead picture-lights. In the middle of the room was a table-desk, broad and long, supporting a shaded reading lamp. On the far side of the table a young man sat writing, with several dockets of papers arranged before him.

As Lanyard entered, this one put down his pen, pushed back his chair, and came round the table: a tallish, well-made young man, dressed a shade too foppishly in spite of an unceremonious dinner coat, his manner assured, amiable, unconstrained, perhaps a little over-tolerant.

"Mr. Ember, I believe?" he said in a voice studiously musical.

"Yes," Lanyard replied, vaguely annoyed with himself because of an unreasoning resentment of this musical quality. "Mr. Blensop?"

"I am Mr. Blensop," that one admitted gracefully.