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VANITY FAIR.

his great blue coat and brass buttons, and without waiting for a further announcement, strode down stairs alone, scowling over his shoulder at the four females.

"What's the matter now, my dear? asked one of the other, as they rose and tripped gingerly behind the sire.

"I suppose the funds are falling," whispered Miss Wirt; and so, trembling and in silence, this hushed female company followed their dark leader. They took their places in silence. He growled out a blessing, which sounded as gruffly as a curse. The great silver dish-covers were removed. Amelia trembled in her place, for she was next to the awful Osborne, and alone on her side of the table,—the gap being occasioned by the absence of George.

"Soup?" says Mr. Osborne, clutching the ladle, fixing his eyes on her, in a sepulchral tone; and having helped her and the rest, did not speak for a while.

"Take Miss Sedley's plate away," at last he said. "She can't eat the soup—no more can I. It's beastly. Take away the soup, Hicks, and to-morrow turn the cook out of the house, Maria."

Having concluded his observations upon the soup, Mr. Osborne made a few curt remarks respecting the fish, also of a savage and satirical tendency, and cursed Billingsgate with an emphasis quite worthy of the place. Then he lapsed into silence, and swallowed sundry glasses of wine, looking more and more terrible, till a brisk knock at the door told of George's arrival, when everybody began to rally.

"He could not come before. General Daguilet had kept him waiting at the Horse Guards. Never mind soup or fish. Give him anything—he didn't care what. Capital mutton—capital everything." His good-humour contrasted with his father's severity; and he rattled on unceasingly during dinner, to the delight of all—of one especially, who need not be mentioned.

As soon as the young ladies had discussed the orange and the glass of wine which formed the ordinary conclusion of the dismal banquets at Mr. Osborne's house, the signal to make sail for the drawing-room was given, and they all arose and departed. Amelia hoped George would soon join them there. She began playing some of his favourite waltzes (then newly imported) at the great carved-legged, leather-cased grand piano in the drawing-room overhead. This little artifice did not bring him. He was deaf to the waltzes; they grew fainter and fainter; the discomfited performer left the huge instrument presently; and though her three friends performed some of the loudest and most brilliant new pieces of their répertoire, she did not hear a single note, but sate thinking, and boding evil. Old Osborne's scowl, terrific always, had never before looked so deadly to her. His eyes followed her out of the room, as if she had been guilty of something. When they brought her coffee, she started as though it were a cup of poison which Mr. Hicks, the butler, wished to propose to her. What mystery was there lurking? Oh those women! They nurse and cuddle their presentiments, and make darlings of their ugliest thoughts, as they do of their deformed children.

The gloom on the paternal countenance had also impressed George