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A NOVEL WITHOUT A HERO.
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until the Irish maid-servant came with a plate and a bottle of wine, from which the old gentleman insisted upon helping the valet. He gave him a

half-guinea too, which the servant pocketed with a mixture of wonder and contempt. “To the health of your master and mistress, Trotter,” Mr. Sedley said, “and here’s something to drink your health when you get home, Trotter.”

There were but nine days past since Amelia had left that little cottage and home—and yet how far off the time seemed since she had bidden it farewell. What a gulf lay between her and that past life. She could look back to it from her present standing-place, and contemplate, almost as another being, the young unmarried girl absorbed in her love, having no eyes but for one special object, receiving parental affection if not ungratefully, at least indifferently, and as if it were her due—her whole heart and thoughts bent on the accomplishment of one desire. The review of those days, so lately gone yet so far away, touched her with shame; and the aspect of the kind mother filled her with tender remorse. Was the prize gained—the heaven of life—and the winner still doubtful and unsatisfied? As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.