Page:Vasari - Lives of the Most Excellent Painters, Sculptors, and Architects, volume 3.djvu/10

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lives of the artists.

ing them by so much diffidence, grace, application to study, and excellence of life, that these alone would have sufficed to veil or neutralize every fault, however important, and to efface all defects however glaring they might have been. Truly may we affirm that those who are the possessors of endowments so rich and varied as were assembled in the person of Raphael, are scarcely to be called simple men only, they are rather, if it be permitted so to speak, entitled to the appellation of mortal gods; and further are we authorized to declare, that he who by means of his works has left an honoured name in the records of fame here below, may also hope to enjoy such rewards in heaven as are commensurate to and worthy of their labours and merits.

Raphael was born at Urbino, a most renowned city of Italy, on Good Friday of the year 1483, at three o'clock of the night.[1] His father was a certain Giovanni de’ Santi, a painter of no great eminence in his art,[2] but a man of sufficient intelligence nevertheless, and perfectly competent to direct his children into that good way which had not for his misfortune been laid open to himself in his younger days. And first, as he knew how important it is that a child should be nourished by the milk of its own mother, and not by that of the hired nurse,[3] so he determined when his son Raphael (to whom he gave that name at his baptism, as being one of good augury) was born to him, that the mother of the child,[4] he

  1. About nine in the evening at this season of the year, the Italians commencing the enumeration of the hours at one hour after sunset.
  2. As compared with his son, that is to say; but on comparing the works of Giovanni with those of the masters his contemporaries, he will be seen to have been rather a good than a merely tolerable painter. Paintings from his hand are still to be seen at Urbino, as well as in Fano, Pesaro, Montefiore, Gradara, and Cagli, with some others in the Brera (Milan). See Passavant, Rafael von Urbino und sein Vater Giovanni Santi. Leipzig, 1839, vol. i. See also the Appendix to that work.
  3. The pertinence of this remark will be the more obvious if we remember that, while in our own country the practice of employing hired nurses is comparatively rare, and is usually confined to cases of strict necessity, on the continent, but more especially in France, it is, on the contrary, the almost invariable practice of matrons in all ranks to confide their infants to the care of the hireling.
  4. The mother of Raphael was Magia, daughter of Giovanni-Battista Ciarla; she died in 1491, when Giovanni Sanzio married Bemardina, daughter of the gold-worker, Pietro di Parte; this woman is said by some writers to have caused Raphael much vexation at a later period, and after his father’s