Page:Vasari - Lives of the Most Excellent Painters, Sculptors, and Architects, volume 3.djvu/105

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domenico puligo
97

then a singularly handsome youth, and for whom he painted other pictures also, all of which are beautiful and executed with great care. Domenico likewise painted a picture which was the portrait of the Florentine courtezan, Barbara, who was very famous at that time, being exceedingly beautiful and much beloved by many, yet scarcely so much for her beauty as for her good parts and fine manners; she was besides more particularly admired as a most excellent musician, and one who sang divinely.[1] But the best work ever executed by Domenico Puligo, was a large painting in which he depicted a figure of Our Lady, the size of life, together with Angels and Children, and a San Bernardo, who is writing. This picture is now in the possession of Giovanni Gualberto del Giocondo, and Messer Niccolo his brother, who is a canon of San Lorenzo, in Florence.[2]

The same master painted many other pictures which are dispersed among the houses of the citizens; some of these represent the half-length figure of Cleopatra, at the moment when she is causing herself to be bitten by the asp, and others have thQ Roman Lucrezia, stabbing herself with a dagger. There are besides many very beautiful pictures, and some portraits from the life, by the hand of this master, at the Porta a Pinti, in the house of Giulio Scab', a man who possesses no less perfection of judgment as regards works in our arts, than in those of the other high and renowned professions.

For Francesco del Giocondo, Domenico painted a picture representing San Francesco receiving the Stigmata; this the owner destined for his chapel in the Church of the Servites, in Florence; it is exceedingly soft and harmonious in colour-

  1. Borghini, in his Riposo, infonns us that the portrait of the courtezan Barhara being in the possession of Giovanni Battista Deti, was altered by him at the desire of his wife, who caused him to have certain pieces of music which she held in her hand removed, and placed the attributes of Santa Lucia ia their stead, but whether these were the lamp and palm, or the awl by which the eyes of this saint were bored out, or those eyes themselves laid on a dish, or the sword, with all which she occasionally appears, Borghini does not inform us.
  2. Many of the works of Domenico Puligo are now believed to be scattered among the galleries of Europe, under the name of paintings by Andrea del Sarto. — Ed. Flor. 1832 -8.