operation, a certain part of the marbles arrived from Carrara, where they had been suffered to remain, and as it was necessary to pay those who had delivered them, our artist repaired to the Pope, as was his custom. But finding His Holiness engaged with important intelligence just received from Bologna, he returned home, and paid with his own money, expecting to receive the order for it from the Pontiff immediately. He went to the palace a few days after therefore, but was again desired to wait and take patience, by a groom of the chambers, who affirmed that he was forbidden to admit him. A Bishop who stood near observed to the attendant that he was perhaps unacquainted with the person of the man whom he refused to admit; but the groom replied that he knew him only too well. “I, however,” he added, am here to do as my superiors command, and to obey the orders of the Pope.” Displeased with this reply, the master departed, bidding the attendant tell His Holiness when next he should inquire for Michelagnolo, that he had gone elsewhere. He then returned to his dwelling, and ordering two of his servants to sell all his moveables to the Jews, and then follow him to Plorence, he took post-horses that same night, and left Rome.
Arrived at Poggibonsi, a town on the road to the firstnamed city, in the Florentine territory, and consequently in a place of safety, the master made a halt; five couriers followed him one after another with letters from the Pope, and orders to convey him back, but no entreaty and no threat of the disgrace that would await him in case of refusal, would induce him to return. He was, however, finally prevailed on to write in reply, when he declared that His Holiness must excuse his returning to his presence, which he was resolved not to do, seeing that he, Julius, had driven him forth like a worthless person, which was a mode of treatment that his faithful service had not merited; he added that the Holy Father might seek elsewhere for some one who should serve him better.
Having reached Florence, Michelagnolo set himself to complete the Cartoon for the Great Hall, at which he worked during the three months of his stay in the city, Piero Soderini, the Gonfaloniere, being anxious to see it finished. The Signoria meanwhile received three Briefs, with the request that Michelagnolo might be sent back to
