produced and published for the use of the then civilised world, the genuine Oriental apologue, myth and tale combined, which, by amusing narrative and romantic adventure, insinuates a lesson in morals or in humanity, of which we often in our days must fail to perceive the drift. The book of Apuleius, before quoted, is subject to as many discoveries of recondite meaning as is Rabelais. As regards the licentiousness of the Milesian fables, this sign of semi-civilisation is still inherent in most Eastern books of the description which we call 'light literature,' and the ancestral tale-teller never collects a larger purse of coppers than when he relates the worst of his 'aurei.' But this looseness, resulting from the separation of the sexes, is accidental, not necessary. The following collection will show that it can be dispensed with, and that there is such a thing as comparative purity in Hindu literature. The author, indeed, almost always takes the trouble to marry his hero and his heroine, and if he cannot find a priest, he generally adopts an exceedingly left-hand and Caledonian but legal rite called 'gandharbavivaha.'[1]
The work of Apuleius, as ample internal evidence shows, is borrowed from the East. The groundwork
- ↑ This ceremony will be explained in a future page.
