Page:Virgil's Pastorals, Georgics and Aeneis - Dryden (1709) - volume 2.djvu/14

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DEDICATION.

them the Divinæ particulam Auræ. They flow'd from him at first, and are at last resolv'd into him. Nor were they only animated by him, but their Measure and Symetry was owing to him. His one, entire, and great Action was Copied by them according to the proportions of the Drama: If he finish'd his Orb within the Year, it suffic'd to teach them, that their Action being less, and being also less diversify'd with Incidents, their Orb, of consequence, must be circumscrib'd in a less compass, which they reduc'd, within the limits either of a Natural or an Artificial Day. So that as he taught them to amplifie what he had shorten'd, by the same Rule apply'd the contrary way, he taught them to shorten what he had amplifi'd. Tragedy is the minature of Humane Life; an Epick Poem is the draught at length. Here, my Lord, I must contract also, for, before I was aware, I was almost running into a long digression, to prove that there is no such absolute necessity that the time of a Stage-Action shou'd so strictly be confin'd to Twenty Four Hours, as never to exceed them, for which Aristotle contends, and the Grecian Stage has practis'd. Some longer space, on some occasions, I think may be allow'd, especially for the English Theater, which requires more variety of Incidents than the French. Corneille himself, after long Practice, was inclin'd to think, that the time allotted by the Ancients was too short to raise and finish a great Action: And better a Mechanick Rule were stretch'd or broken, than a great Beauty were omitted. To raise, and afterwards to calm the Passions, to purge the Soul from Pride, by the Examples of Humane Miseries, which befall the greatest; in few words, to expel Arrogance, and introduce Compassion, are the great effects of Tragedy. Great, I must confess, if they were altogether as true as they are pompous. But are Habits to be introduc'd at three Hours warning? Are radical