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THE ÆNEID.

may have been the first to work it out so much in detail. It was a claim in which his countrymen always delighted, and there were not wanting traditions in its support. Another purpose, also, Virgil seems to have at heart. He does not care so much, after all, for the subjugation of Greece and the extension of the imperial rule of Rome. The empire of Augustus is to be peace. There has been enough, and more than enough, of war. In the prognostications of the future of his nation, even here we are reminded of the strains of the "Pollio." To the soul of the Roman poet—unlike his master Homer in this—war, and more especially civil war, is absolutely hateful. He can describe it, when needed for his purpose, and describe it well; but it is as the scourge of nations, or at best the terrible remedy for greater evils;—not, as the Greek poet calls it, "the strife which is the joy of men."

Venus loses no time in furthering, so far as she may, the counsels of Jupiter. She puts into the heart of the Queen of Carthage, on whose shores Æneas and his crews have now been cast, feelings of pity and compassion towards the shipwrecked strangers. She comes in person, also, to comfort her son Æneas in his trouble. Attended by his faithful friend Achates, he is exploring, like a careful leader, the strange coast on which he finds himself—

"When in the bosom of the wood
Before him, lo, his mother stood,
In mien and gear a Spartan maid,
Or like Harpalycè arrayed,
Who tires fleet coursers in the chase,

And heads the swiftest streams of Thrace.