different but equal, cunning in unusual but mighty possibilities. Then with the slave trade he suddenly became a clown and dropped from sight. He emerged slowly beginning about 1830 as a dull stupid but contented slave, capable of doglike devotion, superstitious and incapable of education. Then, in the abolition controversy he became a victim, a man of sorrows, a fugitive chased by bloodhounds, a beautiful raped octoroon, a crucified Uncle Tom, but a lay figure, objectively pitiable but seldom subjectively conceived. Suddenly a change came after Reconstruction. The black man was either a faithful old “Befoh de wall darky worshipping lordly white folk, or a frolicking ape, or a villain, a sullen scoundrel, a violator of womanhood, a low thief and misbirthed monster. He was sub-normal and congenitally incapable. He was represented as an unfit survival of Darwinian natural selection. Philanthropy and religion stood powerless before his pigmy brain and undeveloped morals. In a “thousands years”? Perhaps. But at present, an upper beast. Out of this today he is slowly but tentatively, almost apologetically rising—a somewhat deserving, often poignant, but hopeless figure; a man whose only proper end is dramatic suicide physically or morally. His trouble is natural and inborn inferiority, slight by scientific
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The Gift of Black Folk