On the other hand, never in the world has a
richer mass of material been accumulated by a
people than that which the Negroes possess today
and are becoming increasingly conscious of.
Slowly but surely they are developing artists of
technic who will be able to use this material. The
nation does not notice this for everything touching
the Negro has hitherto been banned by magazines
and publishers unless it took the form of caricature or bitter attack, or was so thoroughly innocuous as to have no literary flavor. This attitude shows signs of change at last.
Most of the names in this considerable list except those toward the last would be unknown to the student of American literature. Nevertheless they form a fairly continuous tradition and a most valuable group expression. From them several have arisen, as I have said, to become figures in the main stream of American literature. Phyllis Wheatley was an American writer of Negro descent just as Dumas was a French writer of Negro descent. She was the peer of her best American contemporaries but she represented no conscious Negro group. Lemuel Haynes wrote for Americans rather than for Negroes.
Dunbar occupies a unique place in American literature. He raised a dialect and a theme from the minstrel stage to literature and became and
