This page has been proofread, but needs to be validated.
SCAW HOUSE
27

father's step, and he had never cried as a baby because his nurse's white scared face had frightened him so. And then, of course, there was his mother, his poor mother—that was another reason for silence. He never saw his mother for more than a minute at a time because she was ill, had been ill for as long as he could remember. When he was younger he had been taken into his mother's room once or twice a week by Mrs. Trussit, and he had bent down and kissed that white tired face, and he had smelt the curious smell in the room of flowers and medicine, and he had heard his mother's voice, very far away and very soft, and he had crept out again. When he was older his aunt told him sometimes to go and see his mother, and he would creep in alone, but he never could say anything because the whiteness of the room and the sense of something sacred like church froze his speech. He had never seen his father and mother together.

His mornings were always spent with old Parlow, and in the afternoon he was allowed to ramble about by himself, so that it was only at mealtimes and during the horrible half-hour after supper before he went up to bed that he saw his father.

He really saw more of old Curtis the gardener, but half an hour with his father could seem a very long time. Throughout the rest of his life that half-hour after supper remained at the back of his mind—and he never forgot its slightest detail. The hideous dining-room with the large photographs of old grandfather and grandmother Westcott in ill-fitting clothes and heavy gilt frames, the white marble clock on the mantelpiece, a clock that would tick solemnly for twenty minutes and then give a little run and a jump for no reason at all, the straight horsehair sofa so black and uncomfortable with its hard wooden back, the big dining-room table with its green cloth (faded a little in the middle where a pot with a fern in it always stood) and his aunt with her frizzy yellow hair, her black mittens and her long bony fingers playing her interminable Patience, and then two arm-chairs by the fire, in one of them old grandfather Westcott, almost invisible beneath a load of rugs and cushions and only the white hairs on the top of his head sticking out like some strange plant, and in the other chair