come upon you. You have been a little teller of little Tales, and on every side of you there will be others who have striven for other prizes and have won them. Sitting alone in your room with your poor strands of coloured silk that had once been intended to make so beautiful a pattern, poor boy, you will know that you have failed. That will be a very dreadful hour—the only power that can meet it is a blind and deaf courage. Courage is the only thing that we are here to show . . . the hour will pass.”
The old man paused. There was a silence. Then he said very slowly as though he were drawing in front of him the earliest histories of his own past life . . .
“Against all these temptations, against these voices of the World and the Flesh, against the glory of power and the swinging hammer of success, you, sitting quietly in your room, must remember that a great charge has been given you, that you are here for one thing and one thing only . . . to listen. The whole duty of Art is listening for the voice of God.
“I am not speaking in phrases. I am not pressing upon you any sensational discoveries, but here at the end of my long life, I, with all the things that I meant to do and have failed to do heavy upon me, can give you only this one word. I have hurried, I have scrambled, I have fought and cursed and striven, but as an Artist only those hours that I have spent listening, waiting, have been my real life.
“So it must be with you. You are here to listen. Never mind if they tell you that story-telling is a cheap thing, a popular thing, a mean thing. It is the instrument that is given to you and if, when you come to die you know that, for brief moments, you have heard, and that what you have heard you have written. Life has been justified.
“Nothing else can console you, nothing else can comfort you. There must be restraint, austerity, discipline—words must come to you easily but only because life has come to you with so great a pain . . . the Artist's life is the harshest that God can give to a man. Make no mistake about that. Fortitude is the artist's only weapon of defence . . .”
Henry Galleon came over to Peter's chair and put his hand upon the boy's arm.
