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A SQUARE OF CANVAS

orless blood to mark its passing. Exhausted in body and mind. I had collapsed in the nearest chair, not caring whether I, myself, lived or died.

"Poor Jackson was horrified when he saw what I had done to the Coleptera, and he began reproaching me for my needless cruelty. Just as he was waxing eloquent, however, his eye caught sight of my crude sketch. He stopped speaking.

"I saw him tremble, adjust his pince-nez and stare long at the poor picture I had made, and then at the dead beetles. Finally, seeming in a torment of anger, he read the paragraph of description, turning to examine me with horror and amazement in his glance.

"Then, suddenly, he sprang to his feet, gripping the two sheets of paper in his hands, swung about, and made off before I could rouse from my lassitude sufficiently to question him. I never saw Jackson again. The poor fool.

"An hour later father sent for me. I knew that the tutor had been to see him, and I expected another of the terrible lectures I had been in habit of receiving each time a new lack or iniquity made itself apparent to others. On several occasions in the past father had flogged me, and driven himself close to the verge of apoplexy because of his extreme anger at what he deemed deliberate obstinacy. I feared whippings: they sickened me. My knees were quaking as I went to his study.

"This time, however, it was plain that father had given up. He was pale, weighed down with what must have been the great disappointment of his life; but he neither stormed nor offered to chastise me. Instead he told me quietly that Jackson had resigned, finding me impossible to instruct.

"In a few sentences father reviewed the efforts he had made for my education, then stated that all the tutors had been convinced that my lack of progress had been due more to a chronic disinclination for work rather than to any innate defect of body or mind.

"'So far,' he told me, 'you have refused steadfastly to accept opportunity. Now we come to the end. Mr. Jackson has showed me a sketch made by you in which he professes to see real talent. He advises that you be sent abroad to study drawing or painting. Would you care for this last chance? Otherwise I must place you in an institution of some kind, where you no longer can bring disgrace and pain upon me—a reform school, in short. I tell you frankly, Hal, that I am ready to wash my hands of you.'

"What could I do? I chose, of course, to go to Paris. Father made the necessary arrangements for me to enter Guarneresi's big studios as a beginner, paying for a year in advance, and making me a liberal allowance in addition.

"'I shall not attempt to conceal from you, Hal,' he told me at parting, 'that I do not wish you to return. Your allowance will continue just as long as you remain abroad. If, in time, a moderate success in some line of endeavor comes to you I shall be glad to see you again, but not before. The Pembertons never were failures or parasites.'

"Thus I left him. He died while I was in my third year at the studio, and by his express wish I was not notified until after the funeral was over. I wept over the letter that came, but only because of the knowledge that now I never could make up in any way for the great sorrow I had caused my father. Had he lived only ten years longer—and this would not have been extraordinary, as he died at the age of fifty-two—I could have restored some of that lost pride to him."