of a subdued loveliness. The music was low, almost ghostly faint; and was charged with such a deep, throbbing sorrow that, at die first note, the tears began coursing down my cheeks. As the woman went on and on with her song, its melancholy increased, though it still had the same eerily distant quality; it seemed that I was listening to a plaint from across countless years and remotest places. Now everyone in the room appeared to have forgotten my presence; the younger woman, the man and the girl gathered about the player, as if to drink in every note; even the small boy arose and joined the group; and as they did so the light, as if condensed by some unseen reflector, suddenly concentrated upon them, leaving the rest of the room in shadow. And then the illumination, wavering and flickering more than ever, began to dwindle ... until suddenly, without warning, it went out and I found myself in blackness.
But still, from amid the coaly gloom, that phantom-thin music continued to sound, the voice of the singer blended with the notes of the instrument, unspeakably sad, immensely distant, fading like the wind-borne tones of receding minstrels.
Only then did all my concentrated dread and horror find expression in one tremendous scream. Fumbling and groping, somehow I found the door; somehow I forced my limbs free of the spell that had gripped them, and started down the twisted stairs. And then all at once everything went blank.
When I came to myself, still listening to that sad, faint music, I was lying on a Paris street. The glow of late twilight was in the air; a small crowd had gathered about me.
"Does monsieur need help?" a man's voice sympathetically asked. "He stumbled and fell, and has been many minutes coming to. No doubt it was only the heat."
"No doubt—it was the heat," I agreed, as I struggled to my feet. But in my ears that phantom music still made a dismal refrain.
Next day I reported my experience to my friend Jacques Chervier, a student at the Sorbonne, whose specialty was Parisian history.
He looked at me sharply as I finished. "Just where did you say this happened?"
I mentioned the exact street location, of which I had taken note after the adventure.
"So?" he answered, significantly. "So? Well, this is strange. Do you know you were walking on the exact site of the old Temple?"
"What in thunder was the Temple?"
"It was the old castle of the Knights Templars, which was torn down in 1811, at the age of almost six hundred years."
"Torn down in 1811?" I repeated, dully.
"It's famous as the scene of many historic episodes," Jacques warmed to his theme, "not the least notable being the imprisonment of a king and queen of France, along with their two children, and Madame Elizabeth, the king's sister. That was back in 1792. You know, of course, what king and queen I refer to."
I could only mumble something incoherent.
"Louis the Sixteenth and Marie Antoinette were both lodged there before being sent to the guillotine. The old castle, from all I can make out, was exactly as you have described it, even to the small dog that kept the prisoners company."
"But that doesn't explain why I, of all persons, and at this particular time—"
"Don't you recall the date?"
"Let's see. Today's the fourteenth, isn't it?"
"And yesterday was the thirteenth. It was on August thirteenth, just at about sunset, that Louis the Sixteenth and Marie Antoinette were imprisoned in the Temple. Perhaps every year, on the anniversary of that event—"
But I did not hear the remainder of Jacques' speech. I was not interested in his explanations. In my ears a thin, sorrowful music seemed to be playing; I was back in a tower room, in a wavering fog-gray light, where five shadowy figures were gathered, among them a woman whose deep pleading tragic eyes seemed to call and call across an immeasurable gulf.
