"Egbert," she said, standing still, and thought. Then she looked at me.
I said nothing. I felt what was coming. I tried to be the old Egbert Craddock Cummins of shambling gait and stammering sincerity, whom she loved, but I felt even as I did so that I was a new thing, a thing of surging emotions and mysterious fixity—like no human being that ever lived, except upon the stage. "Egbert," she said, "you are not yourself."
"Ah!" Involuntarily I clutched my diaphragm and averted my head (as is the way with them).
"There!" she said.
"What do you mean?" I said, whispering in vocal italics—you know how they do it—turning on her, perplexity on face, right hand down, left on brow. I knew quite well what she meant. I knew quite well the dramatic unreality of my behaviour. But I struggled against it in vain. "What do you mean?" I said, and, in a kind of hoarse whisper, "I don't understand!"
She really looked as though she disliked me. "What do you keep on posing for?" she said. "I don't like it. You didn't use to."
"Didn't use to!" I said slowly, repeating this twice. I glared up and down the gallery with short, sharp glances. "We are alone," I said swiftly. "Listen!" I poked my forefinger towards her, and glared at her. "I am under a curse."
I saw her hand tighten upon her sunshade. "You are under some bad influence or other," said Delia. "You should give it up. I never knew anyone change as you have done."
"Delia!" I said, lapsing into the pathetic. "Pity me, Augh! Delia! Pit—y me!"