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A SLIP UNDER THE MICROSCOPE.

"It's nothing," said Hill, staring at Wedderburn and Miss Haysman talking together, and eager to hear what they talked about.

"We poor folks in the second class don't think so," said the girl in spectacles.

What was it Wedderburn was saying? Something about William Morris! Hill did not answer the girl in spectacles, and the smile died out of his face. He could not hear, and failed to see how he could "cut in." Confound Wedderburn! He sat down, opened his bag, hesitated whether to return the volume of Browning forthwith, in the sight of all, and instead drew out his new notebooks for the short course in elementary botany that was now beginning, and which would terminate in February. As he did so, a fat, heavy man, with a white face and pale grey eyes—Bindon, the professor of botany, who came up from Kew for January and February—came in by the lecture theatre door, and passed, rubbing his hands together and smiling, in silent affability down the laboratory.


In the subsequent six weeks Hill experienced some very rapid and curiously complex emotional developments. For the most part he had Wedderburn in focus—a fact that Miss Haysman never suspected. She told Hill (for in the comparative privacy of the museum she talked a good deal to him of socialism and Browning and general propositions) that she had met Wedderburn at the house of some people she knew, and "he's inherited his cleverness; for his father, you know, is the great eye-specialist."

"My father is a cobbler," said Hill, quite irrelevantly, and perceived the want of dignity even as he said it.