new sphere of domesticity, but no doubt he had his lonely hours. Did he ever think of those days in Rome, gone now beyond recalling? No one had understood her as he had done; no one in all the world. It would be a sort of melancholy pleasure to talk to him again, and what harm could it do? Why should she deny herself? That night she wrote a sonnet, all but the last two lines of the octave—which would not come; and the next day she composed a graceful little note to tell Fanny she was coming down.
And so she saw him again.
Even at the first encounter it was evident he had changed; he seemed stouter and less nervous, and it speedily appeared that his conversation had already lost much of its old delicacy. There even seemed a justification for Helen's description of weakness in his face—in certain lights it was weak. He seemed busy and preoccupied about his affairs, and almost under the impression that Miss Winchelsea had come for the sake of Fanny. He discussed his dinner with Fanny in an intelligent way. They only had one good long talk together, and that came to nothing. He did not refer to Rome, and spent some time abusing a man who had stolen an idea he had had for a text-book. It did not seem a very wonderful idea to Miss Winchelsea. She discovered he had forgotten the names of more than half the painters whose work they had rejoiced over in Florence.
It was a sadly disappointing week, and Miss Winchelsea was glad when it came to an end. Under various excuses she avoided visiting them again. After a time the visitor's room was occupied by their two little boys, and Fanny's invitations ceased. The intimacy of her letters had long since faded away.
