them, he turned them inside out, and there was the dear little chap nodding his busy bit of a head in the sagest manner.
I did not attend as well as I might. "Hey, presto!" said the Magic Shopman, and then would come the clear, small "Hey, presto!" of the boy. But I was distracted by other things. It was being borne in upon me just how tremendously rum this place was; it was, so to speak, inundated by a sense of rumness. There was something a little rum about the fixtures even, about the ceiling, about the floor, about the casually distributed chairs. I had a queer feeling that whenever I wasn't looking at them straight they went askew, and moved about, and played a noiseless puss-in-the-corner behind my back. And the cornice had a serpentine design with masks—masks altogether too expressive for proper plaster.
Then abruptly my attention was caught by one of the odd-looking assistants. He was some way off and evidently unaware of my presence—I saw a sort of three-quarter length of him over a pile of toys and through an arch—and, you know, he was leaning against a pillar in an idle sort of way doing the most horrid things with his features! The particular horrid thing he did was with his nose. He did it just as though he was idle and wanted to amuse himself. First of all it was a short, blobby nose, and then suddenly he shot it out like a telescope, and then out it flew and became thinner and thinner until it was like a long, red flexible whip. Like a thing in a nightmare it was! He flourished it about and flung it forth as a fly-fisher flings his line.
My instant thought was that Gip mustn't see him. I turned about, and there was Gip quite preoccupied with
