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IN THE MODERN VEIN
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possessed. Since Shelley set the fashion, your man of gifts has been assured that his duty to himself and his duty to his wife are incompatible, and his renunciation of the Philistine has been marked by such infidelity as his means and courage warranted. Most virtue is lack of imagination. At anyrate, a minor genius without his affections twisted into an inextricable muddle, and who did not occasionally shed sonnets over his troubles, I have never met.

Even Aubrey Vair did this, weeping the sonnets overnight into his blotting-book, and pretending to write literary causerie when his wife came down in her bath slippers to see what kept him up. She did not understand him, of course. He did this even before the other woman appeared, so ingrained is conjugal treachery in the talented mind. Indeed, he wrote more sonnets before the other woman came than after that event, because thereafter he spent much of his leisure in cutting down the old productions, retrimming them, and generally altering this readymade clothing of his passion to suit her particular height and complexion.

Aubrey Vair lived in a little red villa with a lawn at the back and a view of the Downs behind Reigate. He lived upon discreet investment eked out by literary work. His wife was handsome, sweet, and gentle, and—such is the tender humility of good married women—she found her life's happiness in seeing that little Aubrey Vair had well-cooked variety for dinner, and that their house was the neatest and brightest of all the houses they entered,