went after, and brought him back; how splendidly the doctor behaved,—neither flogged nor expelled him, but after patiently listening, while he rebuked the pupil, dismissed the usher, to the joy of the whole academy; how he fought the head boy in the school for calling the doctor a sneak; how, licked twice, he yet fought that head boy a third time, and licked him; how, when head boy himself, he had roused the whole school into a civil war, dividing the boys into Cavaliers and Roundheads; how clay was rolled out into cannon-balls and pistol-shots, sticks shaped into swords, the playground disturbed to construct fortifications; how a slovenly stout boy enacted Cromwell; how he himself was elevated into Prince Rupert; and how, reversing all history, and infamously degrading Cromwell, Rupert would not consent to be beaten; and Cromwell at the last, disabled by an untoward blow across the knuckles, ignominiously yielded himself prisoner, was tried by a court-martial, and sentenced to be shot! To all this rubbish did Darrell incline his patient ear,—not encouraging, not interrupting, but sometimes stifling a sigh at the sound of Lionel's merry laugh, or the sight of his fair face, with heightened glow on his cheeks, and his long silky hair, worthy the name of lovelocks, blown by the wind from the open loyal features, which might well have graced the portrait of some youthful Cavalier. On bounded the Spanish jennet, on rattled the boy rider. He had left school now, in his headlong talk; he was describing his first friendship with Frank Vance, as a lodger at his mother's; how example fired him, and he took to sketch-work and painting; how kindly Vance gave him lessons; how at one time he wished to be a painter; how much the mere idea of such a thing vexed his mother, and how little she was moved when he told her that Titian was of a very ancient family, and that Francis I., archetype of gentleman, visited Leonardo da Vinci's sick-bed; and that Henry VIII. had said to a pert lord who had snubbed Holbein, "I can make a lord any day, but I cannot make a Holbein!" how Mrs. Haughton still confounded all painters in the general image of the painter and the plumber who had cheated her so shamefully in the renewed window-sashes and redecorated walls, which Time and the four children of an Irish family had made necessary to the letting of the first floor. And these playful allusions to the maternal ideas were still not irreverent, but contrived so as rather to prepossess Darrell in Mrs. Haughton's favour by bringing out traits of a simple natural mother, too proud, perhaps, of her
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