so unintelligibly obscure to themselves. But to the merit of those poems, I doubt if even George did justice. It is not true, I believe, that they are not durable. Some day or other, when all the jargon so feelingly denounced by Colonel Morley about "esthetics," and "objective," and "subjective," has gone to its long home, some critic who can write English will probably bring that poor little volume fairly before the public; and, with all its manifold faults, it will take a place in the affections, not of one single generation of the young, but--everlasting, ever-dreaming, ever-growing youth. But you and I, reader, have no other interest in these poems, except this--that they were written by the brother-in-law of that whimsical, miserly Frank Vance, who perhaps, but for such a brother-in-law, would never have gone through the labour by which he has cultivated the genius that achieved his fame; and if he had not cultivated that genius, he might never have known Lionel; and if he had never known Lionel, Lionel might never perhaps have gone to the Surrey village, in which he saw the Phenomenon: And, to push farther still that Voltaireian philosophy of ifs--if either Lionel or Frank Vance had not been so intimately associated in the minds of Sophy and Lionel with the golden holiday on the beautiful river, Sophy and Lionel might not have thought so much of those poems; and if they had not thought so much of those poems, there might not have been between them that link of poetry without which the love of two young people is a sentiment, always very pretty it is true, but much too commonplace to deserve special commemoration in a work so uncommonly long as this is likely to be. And thus it is clear that Frank Vance is not a superfluous and episodical personage amongst the characters of this history, but, however indirectly, still essentially, one of those beings without whom the author must have given a very different answer to the question, "What will he do with it?"
Return we to Lionel and Sophy. The poems have brought their hearts nearer and nearer together. And when the book fell from Lionel's hand, Sophy knew that his eyes were on her face, and her own eyes looked away. And the silence was so deep and so sweet! Neither had yet said to the other a word of love. And in that silence both felt that they loved and were beloved. Sophy! how childlike she looked still! How little she is changed!--
