can move for some hours a day into an adjoining chamber, which has been hastily arranged for his private sitting-room; and can walk its floors with a step that grows daily firmer in the delight of leaning on Sophy's arm.
Since the girl's arrival, Darrell has relaxed his watch over the patient. He never now enters his guest's apartment without previous notice; and, by that incommunicable instinct which passes in households between one silent breast and another, as by a law equally strong to attract or repel--here drawing together, there keeping apart--though no rule in either case has been laid down;--by virtue, I say, of that strange intelligence, Sophy is not in the old man's room when Darrell enters. Rarely in the twenty-four hours do the host and the fair young guest encounter. But Darrell is a quick and keen observer. He has seen enough of Sophy to be sensible of her charms--to penetrate into her simple natural loveliness of character--to feel a deep interest in her, and a still deeper pity for Lionel. Secluding himself as much as possible in his private room, or in his leafless woods, his reveries increase in gloom. Nothing unbends his moody brow like Fairthorn's flute or Fairthorn's familiar converse.
It has been said before that Fairthorn knew his secrets. Fairthorn had idolised Caroline Lyndsay. Fairthorn was the only being in the world to when Guy Darrell could speak of Caroline Lyndsay--to whom he could own the unconquerable but unforgiving love which had twice driven him from the social world. Even to Fairthorn, of course, all could not be told. Darrell could not speak of the letter he had received at Malta, nor of Caroline's visit to him at Fawley; for to do so, even to Fairthorn, was like a treason to the dignity of the Beloved. And Guy Darrell might rail at her inconstancy--her heartlessness; but to boast that she had lowered herself by the proffers that were dictated by repentance, Guy Darrell could not do that;--he was a gentleman. Still there was much left to say. He could own that he thought she would now accept his hand; and when Fairthorn looked happy at that thought, and hinted at excuses for her former fickleness, it was a great relief to Darrell to fly into a rage; but if the flute-player meanly turned round and became himself Caroline's accuser, then poor Fairthorn was indeed frightened; for Darrell's trembling lip or melancholy manner overwhelmed the
