covered with brushes and ivory jars, gleaming brightly in the rays of the little electric lights which framed the mirror. A huge wardrobe, full of clothes neatly folded and put away, suggested a man about town, a dandy with many sartorial interests. An arm-chair of soft green leather, stamped with red-gold pomegranates, stood by a small black table stencilled with orange-coloured bees. On the table stood a cigarette-box of finely plaited cream-coloured straw, woven over silver and cedar-wood, and with Llwellyn's initials in turquoise on one lid.
He threw off his coat and sank into the chair with a sigh of pleasure at the embracing comfort of it. Then his fingers plunged into the tea which filled the box on the table and drew out a tiny yellow cigarette.
He smoked in luxurious silence.
He had already half forgotten the menacing letter from Constantine Schuabe, the imperative summons to the flat in Bloomsbury Court Mansions. This was a moment of intense physical ease. The flavour of his saffron Salonika cigarrette, a tiny glass of garnet-coloured cassis which he had poured out, were alike excellent. All day long he had been at work on a brilliant monograph dealing with the new Hebrew mosaics. Only two other living men could have written it. But his work also had fallen out of his brain. At that moment he was no more than a great animal, soulless, with the lusts of the flesh pouring round him, whispering evil and stinging his blood.
A timid knock fell upon the door outside. It opened and Mrs. Llwellyn came slowly in.
The Professor's wife was a tall, thin woman. Her untidy clothes hung round her body in unlovely folds. Her complexion was muddy and unwholesome; but the unsmiling, withered lips revealed a row of fair, white, even teeth. It was in her eyes that one read the
