their strength had preserved them from the injuries of time.* Upon these rest blunt Gothic arches, such as prevailed in the reign above-mentioned, and by which, as a criterion, we would prove the date of the building.
At the bottom of the south aisle, between the west and south doors, stands the font, which is deep and capacious, and consists of three massy round stones, piled one on another, without the least ornament or sculpture: the cavity at the top is lined with lead, and has a pipe at the bottom to convey off the water after the sacred ceremony is performed.
The east end of the south aisle is called the South Chancel, and, till within these thirty years, was divided off by old carved Gothic framework of timber, having been a private chantry. In this opinion we are more confirmed by observing two Gothic niches within the space, the one in the east wall and the other in the south, near which there probably stood images and altars.
In the middle aisle there is nothing remarkable: but I remember when its beams were hung with garlands in honour of young women of the parish, reputed to have died virgins; and recollect to have seen the clerk’s wife cutting, in white paper, the resemblances of gloves, and ribbons to be twisted in knots and roses, to decorate these memorials of chastity. In the church of Faringdon, which is the next parish, many garlands of this sort still remain.
The north aisle is narrow and low, with a sloping ceiling, reaching within eight or nine feet of the floor. It had originally a flat roof, covered with lead, till, within a century past, a churchwarden stripping off the lead, in order, as he said, to have it mended, sold it to a plumber, and ran away with the money. This aisle has no door, for an obvious reason; because the north side of the churchyard, being surrounded by the vicarage-garden, affords no path to that side of the church. Nothing can be more irregular than the pews of this church, which are of all dimensions and
* In the same manner, to compare great things with small, did Wykeham, when he new-built the cathedral at Winchester, from the tower westward, apply to his purpose the old piers or pillars of Bishop Walkelin’s church, by blending Saxon and Gothic architecture together.—See LOWTH’S Life of Wykeham.
