Fortunately I was at the edge of illumination, and behind the group. I turned over on my side so that my back was toward the fire. Then rapidly I cast loose my ankle lashings. Thus I was free, and selecting a moment when universal attention was turned toward the rum barrel, I rolled over a sand dune, got to my hands and knees, and crept away.
Through the coarse grass I crept thus, to the very entrance of the arroyo, then rose to my feet. In the middle distance the fire leaped red. Its glow fell intermittently on the surges rolling in. The men staggered or lay prone, either as gigantic silhouettes or as tatterdemalions painted by the light. The keg stood solid and substantial, the hub about which reeled the orgy. At the edge of the wash I could make out something prone, dim, limp, thrown constantly in new positions of weariness as the water ebbed and flowed beneath it, now an arm thrown out, now cast back, as though Old Scrubs slept feverishly. The drunkards were getting noisy. Handy Solomon still reeled off the verses of, his song. The others joined in, frightfully off the key; or punctuated the performance by wild staccato yells.
"Their coffin was their ship and their grave it was the sea,
Blow high, blow low! What care we?
And the quarter that we gave them was to sink them in the sea,
Down on the coast of the high Barbare-e-e,"
bellowed Handy Solomon.
I turned and plunged into the cool darkness of the cañon.
