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WHY I DO NOT BELIEVE IN GOD.
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birth than those of the lower, and the young of man, the highest animal yet evolved, is the most helpless of all, and his hold of life the most precarious during infancy. So clumsy is the "plan of creation" that among the most highly-evolved animals a new life is only possible by peril to life already existing, and the mother must pass through long weeks of physical weariness and hours of acute agony ere she can hold her baby in her arms. All these things are so "natural" to us that we need to think of them, not as necessary, but as deliberately planned by a creative power, ere we can realise the monstrous absurdity of supposing them to be the outcome of "design". Nor must we overlook the sufferings caused by the incomplete adaptation of evolving animals to the conditions among which they are developing. The human race is still suffering from its want of adaptation to the upright position, from its inheritance of a structure from quadrupedal ancestors which was suited to the horizontal position of their trunks, but is unsuited to the vertical position of man. The sufferings caused by child-birth, and by hernia, testify to the incomplete adaptation of the race to the upright condition. To believe that all the slow stages of blood-stained evolution, that the struggle for existence, that the survival of the fittest with its other side, the crushing of the less fit, together with a million subsidiary consequences of the main "plan", to believe that all these were designed, foreseen, deliberately selected as the method of creation, by an almighty power, to believe this is to believe that "God" is the supreme malignity, a creator who voluntarily devises and executes a plan of the most ghastly malice, and who works it out with a cruelty in details which no human pen can adequately describe.

But, again, the condition and the history of the world are not consistent with its being the creation of an almighty and perfect cruelty. While the tragedy of life negates the possibility of an omnipotent goodness as its author, the beauty and happiness of life negate equally the possibility of an almighty fiend as its creator. The delight of bird and beast in the vigor of their eager life; the love-notes of mate to mate, and the brooding ectasy of the mother over her young; the rapture of the song which sets quivering the body of the lark as he soars upwards in the sun-rays; the gambols of the young, with every