get their emotions on credit, or refuse to pay the bill when it comes in. We must pass out of that conception of life; as soon as we have to pay for an emotion we shall know its quality and be the better for such knowledge. Remember that the sentimentalist is always a cynic at heart. Indeed sentimentality is merely the Bank-holiday of cynicism. And delightful as cynicism is from its intellectual side, now that it has left the tub for the club, it never can be more than the perfect philosophy for a man who has no soul. It has its social value; and to an artist all modes of expression are interesting, but in itself it is a poor affair, for to the true cynic nothing is ever revealed.
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I know of nothing in all drama more incomparable from the point of view of art, nothing more suggestive in its subtlety of observation, than Shakespeare's drawing of Rozencrantz and Guildenstern. They are Hamlet's college friends. They have been his companions. They bring with them memories of pleasant days together. At the moment when they come across him in
