THE SONG OF THE LARK
church people ought to give you credit for that, when they go for you."
Thea shook her head and spoke in a tone of resignation. "They 'll always go for me, just as they did for Wunsch. It was n't because he drank they went for him; not really. It was something else."
"You want to salt your money down, Thee, and go to Chicago and take some lessons. Then you come back, and wear a long feather and high heels and put on a few airs, and that 'll fix em. That 's what they like."
"I 'll never have money enough to go to Chicago. Mother meant to lend me some, I think, but now they 've got hard times back in Nebraska, and her farm don't bring her in anything. Takes all the tenant can raise to pay the taxes. Don't let 's talk about that. You promised to tell me about the play you went to see in Denver."
Any one would have liked to hear Ray's simple and clear account of the performance he had seen at the Tabor Grand Opera House—Maggie Mitchell in Little Barefoot—and any one would have liked to watch his kind face. Ray looked his best out of doors, when his thick red hands were covered by gloves, and the dull red of his sunburned face somehow seemed right in the light and wind. He looked better, too, with his hat on; his hair was thin and dry, with no particular color or character, "regular Willy-boy hair," as he himself described it. His eyes were pale beside the reddish bronze of his skin. They had the faded look often seen in the eyes of men who have lived much in the sun and wind and who have been accustomed to train their vision upon distant objects.
Ray realized that Thea's life was dull and exacting, and that she missed Wunsch. He knew she worked hard, that she put up with a great many little annoyances, and that her duties as a teacher separated her more than ever from the boys and girls of her own age. He did everything he could to provide recreation for her. He brought her candy
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