THE SONG OF THE LARK
if she read downstairs, but the boys talked when they came in, and her father fairly delivered discourses after he had been renewed by half a pie and a pitcher of milk.
"I don't mind the cold. I 'll take a hot brick up for my feet. I put one in the stove before I left, if one of the boys has n't stolen it. Good-night, mother." Thea got her brick and lantern, and dashed upstairs through the windy loft. She undressed at top speed and got into bed with her brick. She put a pair of white knitted gloves on her hands, and pinned over her head a piece of soft flannel that had been one of Thor's long petticoats when he was a baby. Thus equipped, she was ready for business. She took from her table a thick paper-backed volume, one of the "line" of paper novels the druggist kept to sell to traveling men. She had bought it, only yesterday, because the first sentence interested her very much, and because she saw, as she glanced over the pages, the magical names of two Russian cities. The book was a poor translation of "Anna Karenina." Thea opened it at a mark, and fixed her eyes intently upon the small print. The hymns, the sick girl, the resigned black figures were forgotten. It was the night of the ball in Moscow.
Thea would have been astonished if she could have known how, years afterward, when she had need of them, those old faces were to come back to her, long after they were hidden away under the earth; that they would seem to her then as full of meaning, as mysteriously marked by Destiny, as the people who danced the mazurka under the elegant Korsunsky.
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