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THE SONG OF THE LARK

stone girls to be thought pretty. Anna's nature was conventional, like her face. Her position as the minister's eldest daughter was important to her, and she tried to live up to it. She read sentimental religious story-books and emulated the spiritual struggles and magnanimous behavior of their persecuted heroines. Everything had to be interpreted for Anna. Her opinions about the smallest and most commonplace things were gleaned from the Denver papers, the church weeklies, from sermons and Sunday-School addresses. Scarcely anything was attractive to her in its natural state—indeed, scarcely anything was decent until it was clothed by the opinion of some authority. Her ideas about habit, character, duty, love, marriage, were grouped under heads, like a book of popular quotations, and were totally unrelated to the emergencies of human living. She discussed all these subjects with other Methodist girls of her age. They would spend hours, for instance, in deciding what they would or would not tolerate in a suitor or a husband, and the frailties of masculine nature were too often a subject of discussion among them. In her behavior Anna was a harmless girl, mild except where her prejudices were concerned, neat and industrious, with no graver fault than priggishness; but her mind had really shocking habits of classification. The wickedness of Denver and of Chicago, and even of Moonstone, occupied her thoughts too much. She had none of the delicacy that goes with a nature of warm impulses, but the kind of fishy curiosity which justifies itself by an expression of horror.

Thea, and all Thea's ways and friends, seemed indecorous to Anna. She not only felt a grave social discrimination against the Mexicans; she could not forget that Spanish Johnny was a drunkard and that "nobody knew what he did when he ran away from home." Thea pretended, of course, that she liked the Mexicans because they were fond of music; but every one knew that music was nothing very real, and that it did not matter in a girl's re-

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