THE SONG OF THE LARK
often advised violinists to study singing, and singers to study violin. He told Harsanyi that he got his first conception of tone quality from Jenny Lind.
"But, of course," he added, "the great thing I got from Lind and Sontag was the indefinite, not the definite, thing. For an impressionable boy, their inspiration was incalculable. They gave me my first feeling for the Italian style—but I could never say how much they gave me. At that age, such influences are actually creative. I always think of my artistic consciousness as beginning then."
All his life Thomas did his best to repay what he felt he owed to the singer's art. No man could get such singing from choruses, and no man worked harder to raise the standard of singing in schools and churches and choral societies.
