STUPID FACES
ful to look at. Ottenburg had told her that Mr. Nathanmeyer had a very fine collection of medals and cameos, and his fingers looked as if they had never touched anything but delicately cut surfaces.
He asked Thea where Moonstone was; how many inhabitants it had; what her father's business was; from what part of Sweden her grandfather came; and whether she spoke Swedish as a child. He was interested to hear that her mother's mother was still living, and that her grandfather had played the oboe. Thea felt at home standing there beside him; she felt that he was very wise, and that he some way took one's life up and looked it over kindly, as if it were a story. She was sorry when they left him to go into the music-room.
As they reached the door of the music-room, Mrs. Nathanmeyer turned a switch that threw on many lights. The room was even larger than the library, all glittering surfaces, with two Steinway pianos.
Mrs. Nathanmeyer rang for her own maid. "Selma will take you upstairs, Miss Kronborg, and you will find some dresses on the bed. Try several of them, and take the one you like best. Selma will help you. She has a great deal of taste. When you are dressed, come down and let us go over some of your songs with Mr. Ottenburg."
After Thea went away with the maid, Ottenburg came up to Mrs. Nathanmeyer and stood beside her, resting his hand on the high back of her chair.
"Well, gnädige Frau, do you like her?"
"I think so. I liked her when she talked to father. She will always get on better with men."
Ottenburg leaned over her chair. "Prophetess! Do you see what I meant?"
"About her beauty? She has great possibilities, but you can never tell about those Northern women. They look so strong, but they are easily battered. The face falls so early under those wide cheek-bones. A single idea—hate or
277
