THE SONG OF THE LARK
the tap-tap of the old woodpecker that was never weary of assaulting the big pine.
Fred had finished his pipe and was wondering whether he wanted another, when he heard a call from the cliff far above him. Looking up, he saw Thea standing on the edge of a projecting crag. She waved to him and threw her arm over her head, as if she were snapping her fingers in the air.
As he saw her there between the sky and the gulf, with that great wash of air and the morning light about her, Fred recalled the brilliant figure at Mrs. Nathanmeyer's. Thea was one of those people who emerge, unexpectedly, larger than we are accustomed to see them. Even at this distance one got the impression of muscular energy and audacity,—a kind of brilliancy of motion,—of a personality that carried across big spaces and expanded among big things. Lying still, with his hands under his head, Ottenburg rhetorically addressed the figure in the air. "You are the sort that used to run wild in Germany, dressed in their hair and a piece of skin. Soldiers caught 'em in nets. Old Nathanmeyer," he mused, "would like a peep at her now. Knowing old fellow. Always buying those Zorn etchings of peasant girls bathing. No sag in them either. Must be the cold climate." He sat up. "She 'll begin to pitch rocks on me if I don't move." In response to another impatient gesture from the crag, he rose and began swinging slowly up the trail.
It was the afternoon of that long day. Thea was lying on a blanket in the door of her rock house. She and Ottenburg had come back from their climb and had lunch, and he had gone off for a nap in one of the cliff-houses farther down the path. He was sleeping peacefully, his coat under his head and his face turned toward the wall.
Thea, too, was drowsy, and lay looking through half- closed eyes up at the blazing blue arch over the rim of the canyon. She was thinking of nothing at all. Her mind, like
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