THE ANCIENT PEOPLE
whom personal relations were incidental. With women, and even girls, who had careers to follow, a young man might have pleasant friendships without being regarded as a prospective suitor or lover. Among artists his position was not irregular, because with them his marriageableness was not an issue. His tastes, his enthusiasm, and his agreeable personality made him welcome.
With Thea Kronborg he had allowed himself more liberty than he usually did in his friendships or gallantries with young artists, because she seemed to him distinctly not the marrying kind. She impressed him as equipped to be an artist, and to be nothing else; already directed, concentrated, formed as to mental habit. He was generous and sympathetic, and she was lonely and needed friendship; needed cheerfulness. She had not much power of reaching out toward useful people or useful experiences, did not see opportunities. She had no tact about going after good positions or enlisting the interest of influential persons. She antagonized people rather than conciliated them. He discovered at once that she had a merry side, a robust humor that was deep and hearty, like her laugh, but it slept most of the time under her own doubts and the dullness of her life. She had not what is called a "sense of humor." That is, she had no intellectual humor; no power to enjoy the absurdities of people, no relish of their pretentiousness and inconsistencies—which only depressed her. But her joviality, Fred felt, was an asset, and ought to be developed. He discovered that she was more receptive and more effective under a pleasant stimulus than she was under the gray grind which she considered her salvation. She was still Methodist enough to believe that if a thing were hard and irksome, it must be good for her. And yet, whatever she did well was spontaneous. Under the least glow of excitement, as at Mrs. Nathanmeyer's, he had seen the apprehensive, frowning drudge of Bowers's studio flash into a resourceful and consciously beautiful woman.
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