THE SONG OF THE LARK
curiously. She was not quite sure of herself, but she was not in the least afraid or apologetic. She seemed to sit there on the edge, emerging from one world into another, taking her bearings, getting an idea of the concerted movement about her, but with absolute self-confidence. So far from shrinking, she expanded. The mere kindly effort to please Dr. Archie was enough to bring her out.
There was much talk of auræ at that time, and Fred mused that every beautiful, every compellingly beautiful woman, had an aura, whether other people did or no. There was, certainly, about the woman he had brought up from Mexico, such an emanation. She existed in more space than she occupied by measurement. The enveloping air about her head and shoulders was subsidized—was more moving than she herself, for in it lived the awakenings, all the first sweetness that life kills in people. One felt in her such a wealth of Jugendzeit, all those flowers of the mind and the blood that bloom and perish by the myriad in the few exhaustless years when the imagination first kindles. It was in watching her as she emerged like this, in being near and not too near, that one got, for a moment, so much that one had lost; among other legendary things the legendary theme of the absolutely magical power of a beautiful woman.
After they had left Thea at her hotel, Dr. Archie admitted to Fred, as they walked up Broadway through the rapidly chilling air, that once before he had seen their young friend flash up into a more potent self, but in a darker mood. It was in his office one night, when she was at home the summer before last. "And then I got the idea," he added simply, "that she would not live like other people: that, for better or worse, she had uncommon gifts."
"Oh, we 'll see that it 's for better, you and I," Fred reassured him. "Won't you come up to my hotel with me? I think we ought to have a long talk."
"Yes, indeed," said Dr. Archie gratefully; "I think we ought."
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