THE SONG OF THE LARK
felt old and tired, the freshness of her physical self, her long, firm lines, the smoothness of her skin, reassured her. This morning, because of awakened memories, she looked at herself more carefully than usual, and was not discouraged. While she was in the tub she began to whistle softly the tenor aria, "Ah! Fuyez, douce image," somehow appropriate to the bath. After a noisy moment under the cold shower, she stepped out on the rug flushed and glowing, threw her arms above her head, and rose on her toes, keeping the elevation as long as she could. When she dropped back on her heels and began to rub herself with the towels, she took up the aria again, and felt quite in the humor for seeing Dr. Archie. After she had returned to her bed, the maid brought her letters and the morning papers with her breakfast.
"Telephone Mr. Landry and ask him if he can come at half-past three, Theresa, and order tea to be brought up at five."
When Howard Archie was admitted to Thea's apartment that afternoon, he was shown into the music-room back of the little reception room. Thea was sitting in a davenport behind the piano, talking to a young man whom she later introduced as her friend Mr. Landry. As she rose, and came to meet him, Archie felt a deep relief, a sudden thankfulness. She no longer looked clipped and plucked, or dazed and fleeing.
Dr. Archie neglected to take account of the young man to whom he was presented. He kept Thea's hands and held her where he met her, taking in the light, lively sweep of her hair, her clear green eyes and her throat that came up strong and dazzlingly white from her green velvet gown. The chin was as lovely as ever, the cheeks as smooth. All the lines of last night had disappeared. Only at the outer corners of her eyes, between the eye and the temple, were the faintest indications of a future attack—mere
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