THE SONG OF THE LARK
which told how she had waited for this moment, replied that "Lily was going to recite to be obliging, and to give other children a chance to sing." As she delivered this thrust, her eyes glittered more than the Ancient Mariner's, Thea thought. Mrs. Johnson disapproved of the way in which Thea was being brought up, of a child whose chosen associates were Mexicans and sinners, and who was, as she pointedly put it, "bold with men." She so enjoyed an opportunity to rebuke Thea, that, tightly corseted as she was, she could scarcely control her breathing, and her lace and her gold watch chain rose and fell "with short, uneasy motion." Frowning, Thea turned away and walked slowly homeward. She suspected guile. Lily Fisher was the most stuck-up doll in the world, and it was certainly not like her to recite to be obliging. Nobody who could sing ever recited, because the warmest applause always went to the singers.
However, when the programme was printed in the Moonstone Gleam, there it was: "Instrumental solo, Thea Kronborg. Recitation, Lily Fisher."
Because his orchestra was to play for the concert, Mr. Wunsch imagined that he had been put in charge of the music, and he became arrogant. He insisted that Thea should play a "Ballade" by Reinecke. When Thea consulted her mother, Mrs. Kronborg agreed with her that the "Ballade" would "never take" with a Moonstone audience. She advised Thea to play "something with variations," or, at least, "The Invitation to the Dance."
"It makes no matter what they like," Wunsch replied to Thea's entreaties. "It is time already that they learn something."
Thea's fighting powers had been impaired by an ulcerated tooth and consequent loss of sleep, so she gave in. She finally had the molar pulled, though it was a second tooth and should have been saved. The dentist was a clumsy, ignorant country boy, and Mr. Kronborg would not hear of Dr. Archie s taking Thea to a dentist in Denver, though
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