might be at once enlightened to see beyond themselves, and enfranchised from the bondage of pietism or materialism. Interpreted according to Blake's intention, the book was a small leaf or chapter of the inspired gospel of deliverance which he was charged to preach through the organs of his art; a gospel not easily to be made acceptable or comprehensible.
Of the prophetic books produced about this time we shall not as yet speak; nor have we much to say of the next set of designs, those illustrative of "Young's Night Thoughts," which were done, as will be surmised, on commission. Power, invention, and a certain share of beauty, these designs of course have; but less, as it seems to me, of Blake's great qualities and more of his faults or errors than usual. That the text which serves as a peg to hang them on, or a finger-post to point them out, is itself a thing dead and rotten, does not suffice to explain this; for Blake could do admirable work by way of illustration to the verse of Hayley.
This name brings us to a new and singular division of our present task. During the four important years of Blake's residence at Felpham we can trace his doings and feelings with some fulness and with some confidence. They were probably no busier than other years of his life; but by a happy accident we hear more concerning the sort of labour done. In August 1800 Blake moved out of London for the first time; he returned "early in 1804."
Hayley's patronage of Blake is a piece of high comedy perfect in its way. The first act or two were played out with sufficient liking on either side. "Mr. Hayley acts
