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WILLIAM BLAKE

finishing of a Fresco picture of the Last Judgment, containing upwards of one thousand figures, many of them wonderfully conceived and grandly drawn. The lights of this extraordinary performance have the appearance of silver and gold; but upon Mrs. Blake's assuring me that there was no silver used, I found, upon a closer examination, that a blue wash had been passed over those parts of the gilding which receded, and the lights of the forward objects, which were also of gold, were heightened with a warm colour, to give the appearance of the two metals.

It is most certain, that the uninitiated eye was incapable of selecting the beauties of Blake; his effusions were not generally felt; and in this opinion I am borne out in the frequent assertions of Fuseli and Flaxman. It would, therefore, be unreasonable to expect the book-sellers to embark in publications not likely to meet remuneration. Circumstanced, then, as Blake was, approaching to threescore years and ten, in what way was he to persevere in his labours? Alas, he knew not! until the liberality of Mr. Linnell, a brother-artist of eminence, whose discernment could well appreciate those parts of his designs which deserved perpetuity, enabled him to proceed and execute in comfort a series of twenty-one plates, illustrative of the Book of Job. This was the last work he completed, upon the merits of which he received the highest congratulations from the following Royal