Asia, has seen those wonderful originals, called in the sacred Scriptures the cherubim, which were painted and sculptured on the walls of temples, towns, cities, palaces, and erected in the highly cultivated states of Egypt, Moab, and Edom, among the rivers of Paradise, being originals from which the Greeks and Hetrurians copied Hercules, Venus, Apollo, and all the groundworks of ancient art. They were executed in a very superior style to those justly admired copies, being with their accompaniments terrific and grand in the highest degree. The artist has endeavoured to emulate the grandeur of those seen in his vision, and to apply it to modern times on a smaller scale. The Greek Muses are daughters of Memory, and not of Inspiration or Imagination, and therefore not authors of such sublime conceptions; some of these wonderful originals were one hundred feet in height; some were painted as pictures, some were carved as bass-relievos, and some as groups of statues, all containing mythological and recondite meaning. The artist wishes it was now the fashion to make such monuments, and then he should not doubt of having a national commission to execute those pictures of Nelson and Pitt on a scale suitable to the grandeur of the nation who is the parent of his heroes, in highly finished fresco, where the colours would be as permanent as precious stones.'
The man who could not only write down, but deliberately correct the printer's sheets which re-
