follows: '. . ."Illuminating the Manuscript"—"Ay," said she, "that would be excellent." "Then," said he, "I would have all the writing engraved instead of printed, and at every other leaf a high finished print, all in three volumes folio, and sell them a hundred pounds a piece. They would print off two thousand." "Then," said she, "whoever will not have them, will be ignorant fools and will not deserve to live." This is evidently a foreshadowing of the process which is described and defended, with not less confident enthusiasm, in an engraved prospectus issued from Lambeth in 1793. I give it in full:—
TO THE PUBLIC.
The Labours of the Artist, the Poet, the Musician, have been proverbially attended by poverty and obscurity; this was never the fault of the Public, but was owing to a neglect of means to propagate such works as have wholly absorbed the Man of Genius. Even Milton and Shakespeare could not publish their own works. This difficulty has been obviated by the Author of the following productions now presented to the
