Page:William Hazlitt - Characters of Shakespear's Plays (1817).djvu/120

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TROILUS AND CRESSIDA.

ent genius of the two poets. There is no double entendre in the characters of Chaucer: they are either quite serious or quite comic. In Shakespear the ludicrous and ironical are constantly blended with the stately and the impassioned. We see Chaucer's characters as they saw themselves, not as they appeared to others or might have appeared to the poet. He is as deeply implicated in the affairs of his personages as they could be themselves. He had to go a long journey with each of them, and became a kind of necessary confidant. There is little relief, or light and shade in his pictures. The con- scious smile is not seen lurking under the brow of grief or impatience. Every thing with him is intense and continuous—a working out of what went before.—Shakespear never committed himself to his characters. He trifled, laughed, or wept with them as he chose. He has no prejudices for or against them; and it seems a matter of perfect indifference whether he shall be in jest or earnest. According to him "the web of our lives is of a mingled yarn, good and ill together." His genius was dramatic, as Chaucer's was historical. He saw both sides of a question, the different views taken of it according to the different interests of the parties concerned, and he was at once an actor and spectator in the scene. If any thing, he is too various and flexible; too full of transitions, of glancing lights, of salient